From the Oscar-nominated director of Honeyland comes a poignant and beautifully photographed story set in the heart of rural Macedonia, about a struggling farmer and the majestic stork he nurtures back to health.

Sofia Coppola's luminous debut feature situated the young writer-director as her generation's foremost chronicler of the interior lives of young women as well as the heir apparent in a sprawling filmmaking family.

The late Taiwanese master Edward Yang's extraordinary Yi Yi is his final film and his best-known masterwork. No mere summary can truly capture the enormity of Yang's achievement here, or his genius for creating a fully actualized urban environment populated by people with rich and complex inner lives.

Bret Easton Ellis considered his controversial novel unfilmable but boy did writer-director Mary Harron prove him wrong. Anchored by an instantly iconic performance by a young and hungry Christian Bale, Harron turns Ellis' repugnant satire into something far more ambiguous, farcical, frightening, and enduring.

VTIFF celebrates the holidays with this annual tradition: a festive screening of Wong Kar-wai's sumptuous yuletide masterpiece, a delicately mannered and visually extravagant evocation of romantic longing that has glided into the conversation of the best films ever made.

Blending remarkable performances from its stacked ensemble cast with director Jim Jarmusch’s wry and idiosyncratic observations, Father Mother Sister Brother—which won the Golden Lion this year in Venice—is an intimate exploration of the universal intricacies of family dynamics.

In his latest diabolical comedy-thriller, Park Chan-wook (Decision to Leave, The Handmaiden) crafts a precision-tooled fable about the cutthroat nature of contemporary work culture, a brilliant bitter pill full of twists you will never see coming, that only Park could pull off with this level of delirious showmanship.