Keith Jarrett's 1975 live album, The Köln Concert, is one of the biggest blockbuster records in jazz. Köln 75, starring John Magaro as the piano virtuoso, dramatizes the compelling, entertaining, and little-known backstory of Jarrett’s improvised masterpiece, a legendary gig that nearly didn't happen.

Joachim Trier’s Grand Prix-winning follow-up to the runaway art house hit The Worst Person in the World, stars Renate Reinsve as an actress forced to confront her long-estranged filmmaker father (Stellan Skarsgård, getting long-overdue accolades).

Noir veers into apocalyptic sci-fi in Robert Aldrich’s 1955 masterpiece Kiss Me Deadly. Brazen and bleak, Kiss Me Deadly is an essential piece of Cold War paranoia, with as nervy an ending as has ever been seen in American cinema.

The Night of the Hunter is a permanent fixture in the pantheon of one-and-done cinematic masterpieces. Acclaimed actor Charles Laughton directed this intensely expressionistic Grimm Fairytale, starring Robert Mitchum in his greatest villainous performance, and never helmed another movie again.

Touch of Evil is one of the most outlandish noir films around, and not without its unsavory aspects. It's also one of the most thrillingly stylized films in the whole genre, with its infamous one-shot opening scene setting the bar impossibly high.

From the Oscar-nominated director of Honeyland comes a poignant and beautifully photographed story set in the heart of rural Macedonia, about a struggling farmer and the majestic stork he nurtures back to health.

Sofia Coppola's luminous debut feature situated the young writer-director as her generation's foremost chronicler of the interior lives of young women as well as the heir apparent in a sprawling filmmaking family.

The late Taiwanese master Edward Yang's extraordinary Yi Yi is his final film and his best-known masterwork. No mere summary can truly capture the enormity of Yang's achievement here, or his genius for creating a fully actualized urban environment populated by people with rich and complex inner lives.

Bret Easton Ellis considered his controversial novel unfilmable but boy did writer-director Mary Harron prove him wrong. Anchored by an instantly iconic performance by a young and hungry Christian Bale, Harron turns Ellis' repugnant satire into something far more ambiguous, farcical, frightening, and enduring.

VTIFF celebrates the holidays with this annual tradition: a festive screening of Wong Kar-wai's sumptuous yuletide masterpiece, a delicately mannered and visually extravagant evocation of romantic longing that has glided into the conversation of the best films ever made.