Using never-before-seen footage from Leni Riefenstahl's estate, Andres Veiel crafts a portrait of one of the most controversial women of the 20th century. This mesmerizing documentary examines the legacy of the innovative filmmaker and unapologetic Nazi propagandist.

Definitely on the shortlist for Funniest Movie to Ever Come out of Hollywood, His Girl Friday reached a pinnacle in screwball comedy that other films have approached but never bettered.

Bruce Robinson’s semi-autobiographical cinematic bender is a feast of delectably florid dialogue delivered with deadpan relish by stars Richard E. Grant and Paul McGann as a pair of perpetually soused, unemployed actors who embark on a hilariously misbegotten country getaway.

It’s 1968, and the whole world is watching. With the U.S. in social upheaval, famed cinematographer Haskell Wexler decided to make a film about what the hell was going on. Medium Cool, his debut feature, plunges us into the moment.

Ken Russell was having a tumultuous 1971. He needed something simpler, so he took on the film version of Sandy Wilson’s 1953 feel-good musical, The Boy Friend. With Russell’s signature maximalism and spectacular costumes by Shirley Russell, The Boy Friend creates a gloriously over-the-top Art Deco extravaganza.

From director Joan Micklin Silver, featuring an all-star cast at the beginning of their careers, Between the Lines spotlights the staff of a Boston alternative newspaper whose carefree days are numbered when they're bought by a major publisher.

In this Oscar-nominated documentary, Shiori Ito directs a film about her own sexual assault at the hands of a politically connected friend of Prime Minister Shinzo Abe, and about the fallout from her very public accusation, which rocked Japanese society and changed Japan’s antiquated sexual-assault laws.