Event Information
Snap Judgment LIVE
Thursday, Nov 1, 2018 7:00 PM
$40 - $75 Reserved Seating + Fees
Snap Judgment is the storytelling phenomena electrifying audiences nationwide. Created by Glynn Washington, produced by WNYC, and launched on NPR stations five years ago, Snap delivers a raw, intimate, musical brand of narrative -- daring audiences to see the world through the eyes of another. Snap Judgment LIVE features the world's finest storytellers, on stage, backed by Snap Judgment band.
We ask Snap storytellers to dig deep, and marvel as they create magic.

6:00pm Doors

6:30pm Seating


Zone 1 Seating (Golden Circle):

 - $75 (+ fees)

 - Includes post show meet & greet and reception with Glynn Washington and additional performers.


Zone 2 Seating:

 - $40 (+ fees)


Please Note:

This show does contain adult content and may not be suitable for sensitive listeners and children.


Friends of the Englert could order tickets early!


If you are interested in becoming a Friend of the Englert please click here or contact the box office.

 

Event Pricing
Zone 1 Golden Circle-Reserved - $75.00
Zone 2 Reserved Seating - $40.00

 
Ticket Selection
 
Ticket Availability
Call the box office 319-688-2653

Snap Judgment is the storytelling phenomena electrifying audiences nationwide. Created by Glynn Washington, produced by WNYC, and launched on NPR stations five years ago, Snap delivers a raw, intimate, musical brand of narrative -- daring audiences to see the world through the eyes of another. Snap Judgment LIVE features the world's finest storytellers, on stage, backed by Snap Judgment band.

We ask Snap storytellers to dig deep, and marvel as they create magic. 

 

Snap Judgment is heard weekly on over 365 public radio stations, and downloaded over two million times a month. The Atlantic magazine hailed Snap's Glynn Washington as "the first African American (NPR) host to swing a big cultural stick, the first who seems likely to become a public-radio superstar on the order of [Ira] Glass. . .”

 

Before Snap Judgment, Glynn worked as an educator, diplomat, community activist, actor, political strategist, fist-shaker, mountain-hollerer, and foot stomper. Glynn composed music for the Kunst Stoff dance performances in San Francisco, rocked live spoken word poetry in Detroit, joined a band in Indonesia, wrote several screenplays, painted a daring series of self-portraits, released a blues album, and thinks his stories are best served with cocktails.