After four decades in the international spotlight, the
achievements of saxophonist Branford Marsalis continue to grow. From his
initial recognition as a young jazz lion, he has expanded his vision as an
instrumentalist, composer, bandleader and educator, crossing stylistic
boundaries while maintaining an unwavering creative integrity. In the process,
he has become an avatar of contemporary artistic excellence.
The Branford Marsalis Quartet, first formed in 1986, remains Branford’s primary
means of expression. In its virtually uninterrupted three-plus decades of
existence, the Quartet has established a rare breadth of stylistic range and a
continuity of personnel. The Secret Between the Shadow and the Soul, recorded
in Melbourne, Australia in the midst of an international tour in the Spring of
2018, contains the mix of challenging original and classic compositions, and
the range of moods from the tender to the explosive, that has defined the
group. With its focus on melodic strength and extrasensory interaction, the
album confirms that the Branford Marsalis Quartet remains a paragon of
uncompromising jazz excellence.
While the Quartet thrives, Branford continues to expand
his status as a musical collaborator that dates back to his early experiences
as a sideman with Clark Terry, Art Blakey and his brother Wynton Marsalis and
extends through encounters with Dizzy Gillespie, Miles Davis, Sonny Rollins,
Herbie Hancock and Harry Connick, Jr. After bringing vocalist Kurt Elling into
the fold for Upward Spiral, which received a Grammy nomination in 2017,
Branford produced and made a guest appearance on Elling’s acclaimed 2018
recording The Questions.
As always, Branford also remains eager to join in musical
ventures with artists in other musical realms. His relationship with Sting,
which began with the pop icon’s first solo album The Dream of the Blue Turtles
in 1985, was resumed when Branford contributed solos to Sting’s collaboration
with reggae star Shaggy, 44/876. And Branford’s status among Deadheads, dating
back to 1990 as the ultimate guest artist with the Grateful Dead, moved the
spinoff band Dead and Co. to break precedent for the first time and announce
Branford as a guest artist at the band’s August 26, 2018 concert in Arrington,
Virginia.
Classical music also continues to play a growing role in
Branford’s musical life. Sally Beamish reconceived her composition “Under the
Wing of the Rock” to feature him after hearing Branford interpret another of
her works, and Gabriel Prokofiev wrote “The Saxophone Concerto” for Branford on
a joint commission from the Naples Philharmonic and the Detroit Symphony.
Branford and the Ural Philharmonic performed and recorded the Prokofiev piece
during August 2018 in Yekaterinburg, Russia. Branford has performed these and other
works by Copland, Debussy, Glazunov, Ibert, Mahler, Milhaud, Rorem, Vaughan
Williams and Villa-Lobos with leading orchestras in the United States and
Europe, and served as Creative Director for the Cincinnati Symphony’s Ascent
Series in 2012-13.
The role of Branford’s contributions to the Broadway
stage expanded in 2018 when he scored acclaimed director Kenny Leon’s revival
of “Children of a Lesser God.” His previous efforts included music for the
revival of “Fences,” which garnered him a Drama Desk Award and a Tony
nomination, “The Mountaintop” starring Angela Bassett and Samuel L. Jackson,
and the revival of “A Raisin in the Sun.”
All of these achievements have been supplemented by
Branford’s efforts beyond the realms of performance and composition. After
directing Columbia Record’s jazz program, he founded the Marsalis Music label
in 2002. He has held workshops on campuses around the world, while establishing
extended teaching relationships with Michigan State, San Francisco State and
North Carolina Central Universities.
After the devastation wrought by Hurricane Katrina,
Branford joined his friend Harry Connick, Jr. and New Orleans Area Habitat for
Humanity in the creation of the Musicians’ Village, a community in New Orleans’
Upper Ninth Ward that provides homes to displaced families of musicians and
other local residents. The Ellis Marsalis Center for Music, honoring Branford’s
father and Connick’s teacher, provides state-of-the-art performance,
instruction and recording spaces at the heart of the Village. For these and
other efforts, Branford received an Honorary Doctorate of Letters from Tulane
University in 2017, adding to a series of awards including three Grammys and
his citation (together with his father and brothers) as a Jazz Master by the National
Endowment for the Arts.
Branford continues to spread the message of his music
around the world, including Russia, where he appeared in St. Petersburg’s
host-city celebration of International Jazz Day 2018, and China, where he
headlined Shanghai’s JZ Jazz Festival the following September. Regardless of
context or location, Branford Marsalis remains steadfast in his quest for
musical excellence.