|
The Holdovers
2hr 13min - R
Lark Theater
Fri, Dec 22, 2023 12:00 PM
Lark Theater
Sun, Dec 24, 2023 9:00 PM
Lark Theater
Mon, Dec 25, 2023 9:30 AM
Lark Theater
Tue, Dec 26, 2023 3:10 PM
Lark Theater
Wed, Dec 27, 2023 7:40 PM
Lark Theater
Thu, Dec 28, 2023 12:55 PM
Lark Theater
Fri, Dec 29, 2023 9:30 AM
Lark Theater
Sat, Dec 30, 2023 8:30 PM
Lark Theater
Tue, Jan 2, 2024 5:30 PM
Lark Theater
Wed, Jan 3, 2024 12:30 PM
Lark Theater
Thu, Jan 4, 2024 10:30 AM
Lark Theater
Tue, Jan 9, 2024 11:40 AM
Lark Theater
Wed, Jan 10, 2024 3:40 PM
Lark Theater
Thu, Jan 11, 2024 10:00 AM
Lark Theater
Mon, Jan 15, 2024 11:30 AM
Lark Theater
Tue, Jan 16, 2024 8:30 PM
Lark Theater
Fri, Jan 19, 2024 12:30 PM
Lark Theater
Mon, Jan 22, 2024 11:00 AM
Lark Theater
Tue, Jan 23, 2024 7:10 PM
Lark Theater
Wed, Jan 24, 2024 2:40 PM
Lark Theater
Thu, Jan 25, 2024 9:30 AM
Lark Theater
Mon, Jan 29, 2024 8:15 PM
Lark Theater
Tue, Jan 30, 2024 9:30 AM
Lark Theater
Fri, Feb 2, 2024 10:00 AM
Lark Theater
Thu, Feb 8, 2024 2:15 PM
Lark Theater
Thu, Feb 15, 2024 11:25 AM
Lark Theater
Tue, Feb 20, 2024 8:00 PM
Lark Theater
Wed, Feb 21, 2024 2:40 PM
Lark Theater
Fri, Mar 1, 2024 2:10 PM
Lark Theater
Wed, Mar 6, 2024 9:00 PM
Lark Theater
Fri, Mar 8, 2024 9:00 AM
Lark Theater
Mon, Mar 11, 2024 2:30 PM
From acclaimed director Alexander Payne, THE HOLDOVERS follows a
curmudgeonly instructor (Paul Giamatti) at a New England prep school who
is forced to remain on campus during Christmas break to babysit the
handful of students with nowhere to go. Eventually he forms an unlikely
bond with one of them -- a damaged, brainy troublemaker (newcomer
Dominic Sessa) -- and with the school's head cook, who has just lost a
son in Vietnam (Da'Vine Joy Randolph).
In Payne’s work, one individual’s foibles and failings can open
another’s perception; his humans lead not by example, but through their
flaws. This is one of the director’s greatest films.. -Bilge Ebiri, New York Magazine/Vulture
This exactly the type of theatrical film that we were told Hollywood
would not be making in the post-pandemic era: a non-franchise,
character-driven, middling-budget drama aimed at adults. Thank goodness,
at least in this case, the pundits were wrong. -Cary Darling, Houston Chronicle
|