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LET'S GET THIS PARTY STARTED
Something Greater Than You, Claim the Lane: Becoming Roxy
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TIES THAT BIND
Anyway, I Piss Sitting Down, After the Silence, Brothers in Arms, Aventure FM, Evelyn's Here, Hyperlink
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ARCHITECTONICS
LegoMan, On the Second Floor, Prickly Mountain and My Design/ Build Life
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LET'S EAT
The Dawnland Kitchen, A Culinary Uprising: The Story of Bloodroot
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ACCEPTANCE
Ars Animals for Troubled Times, Still Moving, Deep in the Swirl, Not Losing You, Sugarhouse
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SIX STEPS TO BUILD YOUR OWN FILM DISTRIBUTION PLAYBOOK, WITH CHRISTIE MARCHESE
Christie Marchese,
founder/CEO of Kinema, breaks down six steps to developing
a distribution playbook for a project to have the greatest
chance of meeting its goals.
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DANCE! MUSIC! POETRY!
Hell, Everyone is a Bird, Pippa and Leo, The Magician, Muses, Jazz Infernal
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MEDIA FACTORY WORKSHOP: HOW WE MADE IT
Join Vermont filmmakers for a conversation about the craft of creating films featured at Made Here.
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DID SOMEONE SAY "AMERICA?"
Happy Birthday, America!, Who Moves America
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CROSSING BORDERS: AMERICAN AND CANADIAN APPROACHES TO FILM DISTRIBUTION
Since Made Here is the only festival that celebrates both New England and Quebec filmmakers, we thought we’d look at some of the challenges—how they differ, how they’re similar—in Canadian and American film distribution.
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FOUR WALLS
The Journey Home, Ghislaine's Place, You're Out, Fan, People Live Here, Tomorrow's Shame
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ARTISTS AT WORK
A Suspended Tide, My Memory Walls, Glorious Obscurity, Marginal Understandings (Dirt: Part Two), Salt Marsh
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WRITING FOR VERMONT! LIVE! PITCH EVENT & PANEL
Five local screenwriters pitch their Vermont-based feature film projects, each at a
different stage of development, for the audience.
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ECHOES
Radio, Petticoats, It Will Always End in the End, Sour Grapes, Superhost, On This Land
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BODIES, BEARS, SUNS & DAUGHTERS
Corpus, The Downtown Burlington Bear, Little Victories, Veiled Light
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DEFINITELY GANGSTER - U.S. PREMIERE!
Terminally ill eight-year-old Zander and his best friend embark on a quest to fulfill his dream of being like his idol, Edward G. Robinson.
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EXIT 8
After exiting a subway train, a man finds himself suddenly trapped in a Möbius: he turns a corner and discovers that the nondescript subway passageway loops back on itself endlessly. Director Genki Kawamura savvily translates the hit video game's recursive logic to the big screen, displaying scrappy visual wit and a delirious sense of fun.
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EATING RAOUL
Starring writer-director Paul Bartel and his invaluable collaborator Mary Woronov, Eating Raoul is a cannibalistic comedy caper that doubles as a razor-sharp social satire about income inequality and the end of the sexual revolution.
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MUSICAL SILENTS: THE UNKNOWN
The most celebrated and exquisitely perverse of the many collaborations between director Tod Browning and his legendary leading man Lon Chaney, The Unknown features a wrenchingly physical performance from “the Man of a Thousand Faces.”
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BLUE HERON
Sophy Romvari’s affecting and intelligent feature debut, the story of childhood joy embedded in the confusion of a family’s growing crisis, confirms her status as one of Canada’s most exceptional emerging filmmakers.
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THE PIANO
One of the great films of the 1990s, this sublimely stirring fable of desire and creativity earned Jane Campion the Palme d’Or at Cannes, the first woman so honored, and Holly Hunter an Oscar for her achingly eloquent silent performance.
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DOUBLE INDEMNITY
Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid?
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SWEETIE
A feast of colorful photography and captivating, idiosyncratic characters, Jane Campion's tough and tender debut heralded the emergence of a startlingly gifted filmmaker, and ignited an international renaissance of Australian cinema.
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BILLY PRESTON: THAT'S THE WAY GOD PLANNED IT
Featuring never-before-seen archival footage, studio outtakes, and rare photos, this is an exhilarating documentary about the legendary musician whose signature sound shaped the work of The Beatles, The Rolling Stones, Ray Charles, Sly Stone, Aretha Franklin, Barbra Streisand, Eric Clapton, and countless others.
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THE BIG HEAT
This scorching tale of vice and retribution finds director Fritz Lang working at the peak of his Hollywood style—stripped to the bone, simmering with outrage, fatalistic to the core—and features two of the most shocking scenes in all of noir
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SILENT FRIEND
At the heart of a German university grows a majestic ginkgo tree, its lifespan measured in centuries. The distinguished plant bears witness to the private lives of those who seek shade under its boundless branches, forming a nexus across time and space.
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FORCE OF EVIL
This gritty, quintessential, eternally underrated noir is drenched in greed, cynicism, and corruption of the soul, as embodied by the great John Garfield. Renowned for its unique, poetic script, first-time director Abraham Polonsky creates a heightened, lyrical atmosphere that contrasts with the harsh, criminal underworld.
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AN ANGEL AT MY TABLE
With An Angel at My Table, Jane Campion brought to the screen the harrowing autobiography of Janet Frame, New Zealand’s most distinguished author, breaking new ground for female filmmakers everywhere and earning a sweep of her country’s film awards.
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AGATHA'S ALMANAC
Fiercely independent 90-year-old Agatha Bock lives alone on her ancestral farm. Despite health challenges, she resolutely tends to her land, cultivating heirloom seeds passed down through generations. Shot by an all-female crew over six years on 16mm film, the project'shandmade materiality beautifully mirrors Agatha’s tactile world.
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THE POWER OF THE DOG
Jane Campion returns to the kind of mythic frontier landscape that she previously traversed in The Piano to plumb the masculine psyche. She became only the third woman to win the Academy Award for Best Director and she charts this story's repressed desires and psychic violence with the control of a master at the height of her powers.
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OUT OF THE PAST
A high-water mark in the genre, Out of the Past has everything you want in a film noir: a tenacious detective (Robert Mitchum) spinning his wheels to make good, a drop-dead beauty (Jane Greer) up to no good, and a moneyed mobster (Kirk Douglas) with a shark’s grin, plus double crosses, fall guys, shadowy rooms, and bleak souls.
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MUSICAL SILENTS: THAT NIGHT'S WIFE
Unfolding over the course of one night, Yasujiro Ozu’s That Night’s Wife combines suspense with the emotional domestic drama one associates with the filmmaker’s later masterpieces.
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MUSICAL SILENTS: THE GOLEM
Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the substance for one of the most adventurous films of the German silent cinema.
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MUSICAL SILENTS: HELL'S HINGES
This violent, morally shocking early feature-length Western features America’s first cinematic cowboy hero, William S. Hart, who became one of silent cinema’s most famous actors.
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MUSICAL SILENTS: THE PASSION OF JOAN OF ARC
Spiritual rapture and institutional hypocrisy come to stark, vivid life in one of the most transcendent masterpieces of the silent era.
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